Welcome to Make-Out Music, a music blog written by Ryan Sheridan, for those in search of the perfect pop song. Forget you actually gave freak-folk a chance and take comfort in discovering pop music that can still be sophisticated. Find the perfect remix, forgotten guilty pleasure, original sample or secluded Scandinavian sound with our MP3s, interviews, genre features and video mash-ups. Befitting a spot on your next mixtape, it's Make-Out Music: because getting to second base needs a soundtrack.

If you have comments, questions or music of your own you'd like me to hear, please send all e-mail to ryan [dot] makeoutmusic [at] gmail.com. MP3s will be taken down upon request.


Monday, April 6, 2009

TRUE LOVE ALWAYS

Resurrecting a band that existed before auto-tuned indie rock


Photo: www.myspace.com/officialtla

MP3: True Love Always - “The Losing Part” (from Torch, 2000)

t’s got to be a challenge for a three-piece band. As a small troupe, they’re always overcompensating for a shortage of sounds. I suppose it’s like when small-dicked dudes buy Hummers. Well, one band who shant worry (about a shortage of sounds, not sure about the dick thing) is Virginia’s True Love Always.

The trio, signed to iconic D.C. indie pop label Teenbeat, is like Belle & Sebastian only with better hooks. On “The Losing Part” vocalist John Lindaman’s shiny bossa nova guitar licks recall “This Charming Man” and, though it’s just Lindaman alone on the vocals, a popping bass line and subtle disco shuffle ensure there’s hardly a ‘losing part’ here. Like The Smiths, True Love Always is a classic, bare bones indie pop outfit. With just one singer/guitarist, a bassist and drummer, each instrument pulls its own weight — and they all do so in simple synchronicity to produce a bright, vivid and clean sound. Found on all of their records, this sound can be chalked up to Teenbeat/Unrest founder Mark Robinson, who helmed this album’s production.

The lack of any vocal effect, distorted guitar or auto-tuned verse (Come on, Discovery. Really?) is refreshing and thank fuck for that. Though I fear exposing my age here, this song and its album, Torch, leaves me feeling nostalgic for the more innocent, less gimicky brand of indie rock we knew at the turn of the century. Released in 2000, Torch was just the band’s third LP, but its bossa-nova inflected sophistication has only to be rivaled today by The Changes, a like-minded band from Chicago who put out an album in 2006 (and will also be interviewed here in this space very soon). It’s a shame, too, since True Love Always went on an indefinite hiatus after its last LP in 2002. Apparently moving to New York, completing a Master’s degree and…coaching kids’ soccer was more important.

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